horror movies | Lorelei By Starlight

I’ve been seeing several people talk about Kill List online lately, so I added it to my list and finally ended up watching it last night. All the discussion of this film was definitely merited and I was immediately pulled in, almost seduced into watching until the brutal end. Be forewarned – this is not a film that you will ever forget.

PLEASE NOTE: I want to actually talk about some of what goes on in the film, so there are spoilers from here on.

I was at first thrown off by the pacing of the film. It starts a bit slow, at least if what you are expecting is horror. This film, though, is not your normal horror. The plot is centered around a hit man, Jay, whose last job didn’t go so well. He’s been “off work” for about 8 months and all the money from the previous job is gone. His hot Swedish wife, Shel, is losing it and there are a lot of screaming matches in the house because, no money and broken hot tub. The volume and intensity of these initial screaming matches are what drew me in. It’s a voyeuristic pull, for sure, because I immediately wanted to know what the hell was up. Through it all there is this 8-year-old boy that kind of wanders in and out and I watched several excellent performances of crazy mommy where Shel was sugar sweet to the child in one room and then proceeded to go into another room and rain down verbal terror on Jay.

Eventually, the former partner, Gal, shows up at the house for dinner, along with his slightly odd date. Gal’s trying to get Jay to do another job, there is a list of people to be killed. The dinner scene gets predictably ugly, then mellows, then gets ugly, etc. If you have ever been to an “adult” dinner party with individuals who have both alcohol and anger management issues then this will all be familiar fare. At the end of it all, Jay finally agrees to take the job, but not before Gal’s weird girlfriend scratches out a strange sigil on the back of the bathroom mirror.

From the start, it is clear that Gal is going to have to manage Jay’s barely controlled rage. There are several incidents that point to just how far Jay might go — from dealing with a declined credit card at the hotel front desk, to breaking up a Christian sing-along in the dining room that evening. Their meeting with the employer is definitely not what I would think is normal, even in these situations, since it involves Jay getting his palm slashed and bleeding everywhere. But, the deal is struck and Gal and Jay set out to start down their list.

The segments with each of the intended victims are preceded by a screen identifying who’s up next (The Priest, The Librarian, etc.). The Priest is dealt with first and it is slightly odd because he is so accepting of his fate. The next victim, The Librarian, turns out to be a child pornographer, and Jay snaps out on him inflicting several minutes of prolonged damage using a hammer, during which the victim continues to thank him for what he is doing. After a side trip to find the people responsible for actually filming the pornography (not on the list), and more brutalities inflicted on them, Jay starts having some psychological setbacks and takes a little break at home where Shel berates him for even thinking about reneging on the contract.

Gal and Jay end up checking in with the employer to see if maybe they can just kind of get out of the contract, but it appears that is not an option, or at least not an option that will allow them to come out of the situation alive. So, the two set out in search of the next victim, which requires them sneaking onto an estate through some old, stone tunnels and then running surveillance in the woods outside the house.

This is where the cult shows up and things start getting really freaking scary. Up until this point, the movie could pass for a thriller with a few odd tweaks (sigils and blood pacts), but now things change in a hurry and not for the better. I won’t give away the ending. Suffice it to say that it is horrific in a way that I don’t often see accomplished in film. It will shock you and leave you to think about this film for a very long time afterward.

Another of my all-time Halloween favorites is, Evil Dead II. The second in Sam Raimi’s series of films, this one definitely beats the first (The Evil Dead) for me. I still remember the first time I watched this film, and it was one of those experiences where I just fell in love. This is undeniably one of those landmark films, and whenever I see a movie now with a cabin in the woods this is the film that I go back to. It’s where that specific sub-genre of horror was first created for me. I think that this film also was one of the first that successfully introduced the combination of comedy with horror, something that seems to a be a more focused area of development over the past few years, especially with films like Cabin Fever and Tucker and Dale vs. Evil.

Here are the things that bring me back to this film over and over again:

First and foremost, Bruce Campbell. The man is a genius of physical comedy and his performance as Ash is incredible. There is a ton of slapstick comedy in this film. And, it’s basically a beat the hell out of Bruce Campbell film. He gets physically harmed in almost every scene, and while that may not sound funny – trust me, it is hilarious.

The sound the demons make as they are coming up on the cabin through the trees. It’s like a demented motorcycle.
When Ash, after being infected by the demons the first time, pretty much just curls up and takes a nap halfway in a mud puddle for the rest of the day (as you would). And then, when he wakes up and freaks out, that great cut scene to him peeling out in the car.
That image of the bridge, busted and all curled up like some huge hand, and then the wide shot of the chasm in the fading sunlight.

That scene where Ash is standing by his car at the busted bridge and he realizes that the sun is going down – quickly. All that orange fading into gray darkness.
The number of things that become possessed by the demons: inanimate objects (moose head, table lamp, mirror), trees, Ash’s hand, all in addition to any spare dead bodies that might be laying around.
Linda’s headless corpse dance in which the corpse uses the head in the manner of a top hat prop. Also, the special effects here are so creepy. Today’s CGI would look much different and more polished, but the jerky movements of Linda’s quickly decaying corpse are much better.
Flying eyeball into mouth.
Chainsaw.
Chainsaw instead of hand gone bad. Also, the quick modification of the shotgun as Ash gets armed and ready to take on the demons.

So. Much. Blood. Also, many colors of blood. There is red, black, and at one point some green.
The creepy freaking cellar. Henrietta is bad, yes, but that cellar on its own would just be horrendous.
The ending. It is just so in keeping with the trials and tribulations that have been visited on Ash.

If you have never checked this movie out, you should definitely add it to your list. It’s a horror classic!