Classic Horror: Lucio Fulci’s Zombie

Movie poster for Lucio Fulci's Zombie

Sometimes I like to try to catch up on some of the classics that I’ve missed over the years. So, recently, I sat down and watched Lucio Fulci’s Zombie. Fulci is known for working in both the giallo and horror genres, and Zombie was his major foray into the latter. Overall, I really enjoyed this movie. I love movies from this time period, anyway, and there were plenty of cool things about this one.

The basic plot of the movie is that an abandoned boat shows up just off the shore of New York City. The daughter of the boat owner and a reporter team up to figure out what happened to her father, and the journey takes them to an obscure island, where – unbeknownst to pretty much anyone else – a reclusive doctor has been working to find a cure for a “disease” that’s running rampant and turning the island’s occupants into zombies.

NOTE: Spoilers are pretty the content of the rest of the post. So, if you don’t want to specifically know how the zombies destroy humans in the film, you may want to stop here.

One of the best things about this movie is that there is a zombie pretty much right off the bat. The deserted boat isn’t really quite deserted and the zombie that’s hanging out there is really, just very gross. This is a rotted and bloating zombie, not the super skinny Twiggy style zombies that we see today. From that point on, things just keep going:

    • The medical examiner in New York who is going to autopsy the body of the recently killed policeman (dead due to run-in with said zombie on boat) has a scalpel that is so dull he can’t even make a cut. This delay has unfortunate consequences.
    • The movie cuts back and forth between our two heroes and the crazy island doctor, who is hanging out on an island where there appears to be no way to leave – there are a bunch of sunken boats right off the harbor. Also, his wife is very not cool with the whole situation and loves to hang around the bungalow all day wearing hip 70s clothes, drugging herself with some kind of hip 70s pills, and just standing around in the shower or crying a lot.
    • When our heroes start asking about the island on the mainland, everyone gets real weird about it. No real cause for concern there, though, right? The only people they can find to take them to the island are a bohemian couple who are sailing around on vacation. The couple proceeds to take them onto their boat where everyone hangs out and the bohemian chick scuba dives topless. Some of you might think this is the best part of this section of the film – but you would be wrong! Because, there is a shark encounter – which, understandably freaks the bohemian chick out. But not as much as the subsequent bottom of the sea zombie encounter! Needless to say, there is zombie on shark violence, just distracting enough to allow the bohemian chick to escape. I cannot express HOW MUCH I LOVED THIS HORRIBLE SCENE. (By the way – zombies do not have good teeth and should really not think that they can bite through shark skin.)

Zombie vs. shark

    • Meanwhile back at the island, the doctor has left his drugged wife alone and, yes, the zombies have finally made their way to the bungalow. The wife manages to partially escape into a room, but can’t quite get the door shut all the way, because zombies are strong. There is an excellent scene here where the light on an opposite wall shows the door being slowly forced further and further open. She does finally get the door shut, but makes the mistake of hanging out by it long enough for the zombie to break through, grab her hair, and slowly – oh, so slowly – pull her forward until her eye is impaled on a piece of wood.

Doctor's wife being impaled through the eye with a sliver of wood

    • Our heroes and their bohemian sidekicks finally make it to the island, meet the doctor, and end up going to the doctor’s bungalow while he stays at the hospital to help a new victim. When they open the door to the bungalow – surprise zombie feast(!!) At this point they realize that there may be a serious problem on the island.
    • Of course, they panic, and bad driving = having to walk around where there are lots of zombies, while carrying all their luggage, for some reason. During a rest break, an impromptu makeout session is interrupted in the worst way possible. After more surprise zombies(!!) show up, a throat is torn out with glorious rivers of blood – and then there are only three left in the group. Another great scene here is the slow motion uprising of zombies from their graves, which were cleverly hidden beneath the grass and underbrush. All in all, the outcome here is that this is one irreparably ruined vacation for the bohemian couple.
    • There is a final stand off at the clinic where the survivors hole up and utilize molotov cocktails to great success – all while being inside a distinctly flammable building. Throughout the fight, it is obviously clear that the rules for killing zombies are just not understood. The occasional zombie death due to a head shot does not seem to sink in and there is a huge waste of bullets on zombie limbs. Additionally, it becomes painfully clear that during a zombie fight in a clinic where there may be recently deceased from a zombie creating disease it might be prudent to carefully monitor your proximity to said deceased individuals. And, as always, long hair around zombies is a definite handicap – and this is the 70s.

The ending of the film is gratifyingly dire, and it nicely ties into the first few scenes from the movie. As usual, things do not go well for the humans in these situations.

Fulci’s movie is fun and a great continuation of the zombie genre. If you love zombies and are interested in seeing an entry in a seminal chapter of the cinematic progression of these particular monsters and their associated tropes, I would definitely suggest giving it a watch!

Patient Zero: Fast-Paced Zombie Action!

Look, I think that everybody loves zombies at this point, right? Well, at least it seems that way – I mean they are everywhere! They have even invaded the timeless classics, like Pride and Prejudice. Cover of Patient ZeroI’ve had Jonathan Maberry‘s Patient Zero for a while, and, due to some time off of work recently, finally had time to pick it up and enjoy it.

This book was made for me. I not only love the horror genre, but also really enjoy reading espionage thrillers. Maberry has done a great job of combining both genres. Joe Ledger is an above-average cop, excited about going to Quantico to begin his FBI training, when he is “solicited” by a deep black group for a special project. Zombies are being weaponized for world destruction, and after proving his skills against “patient zero” Joe is brought in to help fight the plague.

I think that the bar on zombie movies was really raised by 28 Days Later, where we were introduced to the fast zombie.

Fast zombies

The slow-witted shuffling ones were bad enough, but to have the threat suddenly move, and swarm, faster almost than a human was a recipe for panic. Maberry takes the bar up another notch because these zombies are being experimented on and the infection refined for increased rapidity of change time. Time from being bitten to becoming a zombie is decreased to a rate that promises worldwide infection within days. The possibility of an antidote is dangled tantalizingly, but the fast-change time complicates the potential for administering something like this. Joe and his team are under incredible stress to solve the problem, and the complexity of the situations that move the plot forward were well-planned and definitely made me keep turning the pages.

This is the first work by Maberry that I have read since the trilogy that began with Ghost Cover of Ghost Road BluesRoad BluesI was pleasantly surprised by this trilogy, which has many of the common horror tropes, but manages to put some different and interesting twists into the mix. I think that if you are someone who enjoys Stephen King, then you would like these books. They center on a comic book owner in the town of Pine Deep who gets mixed up in a seriously scary situation. The town is best known for its Halloween celebrations each year, but soon becomes the center of a battle between good and evil. There is an otherworldly blues player (complete with a busted up guitar on his back) who must face up against an ancient evil that has been buried deep in a dark part of the forest for years and years. This isn’t their first battle, of course, and many others are pulled into the fray as they fight it out. I think my favorite part is the re-creation of the ancient evil. There are both vampiric and werewolf tendencies, along with some paranormal aspects. It’s a true monster built from various nightmares. The character development in these books is well done and the situations, while familiar, are still made fresh and interesting. There is good reason why Maberry won the Bram Stoker Award for Best First Novel with this story.

The remaining two books in the trilogy, Dead Man’s Song and Bad Moon Rising, don’t slack off. I have the feeling (and it may be because I read it somewhere) that Maberry actually wrote all of them at once, as if they were one really long work, and then broke them up into three books for publication. This would also seem likely due to the promptness with which they were published, each of them coming out very close to a year after the last. I remember devouring these as they came out and then having to wait until summer for the next one. Fortunately, if you haven’t read Maberry yet, you can grab all three in the trilogy (and maybe even Patient Zero) and devour them at once!